June 2nd, 2010 - The Unemployed
“The Unemployed” is an interactive installation that I have been working on and for which I would like to engage in conversation with other about, and get both conceptual as well as technical feedback on. This project visualizes world wide unemployment. Using data culled from online sources that list unemployment rates by country, “The Unemployed” represents the jobless as animated figures who inhabit a generic cityscape. The number of monthly unemployed varies from country to country ranging from a few thousand in sparsely populated places to many millions in places like the United States, India, and China. The software randomly cycles through approximately 200 countries, drawing the number of unemployed as aimless wanderers, ambling across the screen (as they are unemployed). Whenever a viewer enters the space of the installation, their silhouette is captured by a video camera causing the figures to flock to that shape and move with it for the duration the viewer is in the camera’s range. When the viewer leaves the space, the figures return to their random wanderings.
To see project documentation click here
To download the Processing app click here
So in the Processing app what happens locally is the app uses your computers camera and if you put your hand in front of it the figures become your hand, etc. Of course when its in an installation the camera is not attached to the computer and the camera’s field of view is wider, but this can give some idea of how it work.

Greg J. Smith (June 26th, 2010 at 3:51 pm)
I just downloaded and played with the application —
the silhouette capture is a little uncanny. I was swaying
back and forth to get a sense of how responsive the sketch was
and then my own body jumped out at me, a social body. In looking
at the comments on your last post, it seems there is some tension
in these flocking algorithms. I’m wonder is this piece more a top
down view of (labour in) cities or the body of the viewer.
In watching the video documentation (and playing with the sketch)
you definitely have “the body” well communicated, but I agree
with Pau’s comments about the connection with “the city” needing
to be stronger.
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